It would have been a sight as one enters the lost church of Oton. From the main entrance with three gothic style doors, one is greeted with trompe l’oeils at the ceiling’s faux vault, the same features that now decorate the stone vault ceiling of San Agustin Church in Intramuros.
Where the four arms of the greek cross floor plan, a Byzantine style adaptation, of the church meet at the center, an impressive free standing and gothic style retablo rises.
This retable has four sides with each side having its own altar. It is separated from the nave by a beautiful wrought iron communion rail that ring the altar.
Above it, the pendentives, the triangular part where the dome connects with the walls below, are painted with the four evangelists, as is customary and still observed today.
As can be seen from the archival image at the left, the pulpit is not the typical one that hangs from the walls. Instead, it is supported from the ground. It is then topped with a gothic inspired torna voz with a spire rising at the center.