Ten exceptional and poorly known Spanish colonial era cemetery chapels that are still existing in the Philippines scattered in Luzon and the Visayas.

Simbahan reader Handel Advento sent in pictures he took of the Oton cemetery chapel before it was renovated in October 1997.

Located less than a kilometer from the church grounds and ruins of Oton in Iloilo is the old Catholic cemetery of the municipality. Lacking the artistry and sophistication when compared with the other chapels in the province, it is a simple structure

At the Oton Church grounds, remnants of the once massive and elegant gothic style church and a portion of the original wall can still be seen.

It would have been a sight as one enters the lost church of Oton with its trompe l’oiels massive copula and an impressive gothic style and four sided retablo at the center.

The lost church of Oton was the only one of its kind in the Philippines in form and structure. It’s architecture is a combination of different architectural styles: gothic, classical and romanesque, a trait that is very much common in most Spanish colonial period churches in the country.

It would have been one of the country’s spectacular churches, if not the most beautiful were it not for a natural cataclysm that razed it to the ground. Oton’s once majestic church, in the form of a Greek cross, was unique as it was the only one with such a plan and architecture blending Byzantine with Gothic and classical elements.

From the collection of archival photos of the San Agustin Museum courtesy of Fr. Pedro Galende, three old photos of the beautiful Cabatuan cemetery are featured here. Above, is the capilla or chapel sans the vegetation that now blocked the view from the entrance. This chapel has the most stylized skull and crossbone bas relief in the country.

The back end of the camposanto is a wall filled with niches. During the colonial era, families of stature are interred here while the general public were buried at the grounds. The material used is not only limestone blocks but also bricks which form the frame of the niche as well as at the top portion of the columns. The capital are tuscan but some are already missing.

The cemetery capilla or chapel is octagonal in form with three gated entrances. It is found at the center of the camposanto grounds just like in Miag-ao and San Joaquin, this province. Unlike in Dalaguete and Argao in Cebu and EB Magalona in Negros Occidental which are located at the back, connected to the perimeter wall.

Entrance into the cemetery is via three stone archways conveniently distanced, about a few meters from each other. All have the same design from the iron cross, the floral motif, down to the columns, lunettes and gate. A pair of urn like finials used to decorate the sides of the top arch. Now, only on finial remains which can be found at the right arch.

The octagonal capilla of the Cabatuan cemetery. The camposanto of Cabatuan is one of the country’s well maintained and artistic cemeteries, one of a few extant structures that have survived in Iloilo province. It is located along the highway, just a few kilometers before the massive and equally beautiful brick church in this municipality.